This
section offers a brief insight into Alastair's working methods.
By clicking on the sub-headings you can follow how Alastair produces
a portrait.
For
further, more specific information please feel free to contact Alastair
by email or by
telephone.
Stage
1 - Briefing
As
part of my service I offer an initial no obligation consultation
to interested parties.
[…more]
The
initial consultation also serves to offer an insight into specific
approaches…
[…more]
If
at this stage the client wishes to proceed with a commission…
[…more]
-
Initial
Stages of the Composition and Nature of sittings
Depending
upon the outcome of the first meeting I will either arrange a
return visit or proceed with the initial stages of the commission.
Before work on a portrait is started I like to spend some time
with the sitter or sitters in their own surroundings, sketching,
talking, taking photographs, looking at lighting and researching
a variety of potential compositions.
I like
to try out ideas for paintings in this way as it gives the compositions
and figures a "real time" feel. It means I can capture people
being themselves, acting naturally and interacting with each other,
making things look less staged. I use a camera to help me as it
is quick and unobtrusive so naturally occurring expressions and
poses will often emerge. I like to set sittings in the subjects
own, poignant surroundings as it adds to a relaxed atmosphere
and fits in better with peoples availability and schedule.
In
the initial stages of a commission sketching give me a chance
to study the sitters physical characteristics and also offer me
an insight into manner, body language and personality. Sketches
also serve as a brief insight into the nature of forthcoming sittings
which depend upon the commissions requirements.
After
selecting a few suitable compositions I visit or supply the sitter
and commissioner…
[…more]
Once
advice has been given and a suitable composition…
[…more]
Stage
2 -
Sittings
Initially
the painting is drawn up from the working rough drawing…
[…more]
If
sittings are to be set in busy surroundings, a work place for
instance…
[…more]
Time
between sittings back at the studio is very important to me.
[…more]
Stage
3 - Unveiling
Once
I feel that I have produced a concise and finalised solution for
the painting…
[…more]
Depending
upon the commissioners requirements, a framing service can be
offered…
[…more].
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